HITTING

We believe in providing instruction
and opportunities that will make our softball players the best hitters they can be. We are passionate
about coaching hitting and try to spread that enthusiasm to our teams and players as an inspiration to achieve greatness.
There is no shortcut to excellence - so we practice hard and have
a great deal of fun along the way.

12
KEY POINTS TO BEING A SUCCESSFUL HITTER:
(THERE ARE A LOT MORE!!)
- DEVELOP A PRE-STANCE
ROUTINE THAT PREPARES YOU TO HIT MENTALLY
- STRONG GRIP; "KNOCKING KNUCKLES" ARE LINED UP ON THE BAT GRIP
- FEET ARE SHOULDER LENGTH APART,
KNEES ARE SLIGHTLY BENT
- PRIOR TO NEGATIVE MOVEMENT, STAY IN MOTION WHILE IN YOUR STANCE
- POSITIVE LINEAR MOVEMENT TOWARDS THE PITCHER
BEGINNING WITH TOE TOUCH INTO HEEL PLANT
- ARMS WILL BE INDEPENDENT FROM THE
CORE AND LOWER BODY
- THE BARREL OF THE BAT MUST REMAIN ABOVE THE
HANDS
- BACK WRIST, ELBOW, AND HIP WILL BE ALIGNED PRIOR TO CONTACT, HIPS ARE SQUARE TO
THE PLATE - THIS IS CALLED CONNECTION
- BACK TOE WILL BE POINTING TO THE
GROUND DURING FOLLOW THROUGH
- THE HEAD MUST REMAIN MOTIONLESS THROUGHOUT
THE SWING
- ALWAYS SWING HIGH TO LOW - NEVER LOW TO HIGH
- ....AND NEVER TAKE A CALLED THIRD STRIKE!

POPULAR
MISCONCEPTIONS ABOUT THE SWING:
- HANDS
OR KNOB TO THE BALL
- "SQUISH THE BUG"
- SWING LOW TO HIGH
- STRIDE AND LOAD
- EXTEND YOUR ARMS
- START HIP ROTATION EARLY
- A LONG STRIDE EQUALS MORE POWER
Teaching the fundamentals necessary to overcome poor hitting
techniques can be a frustrating experience for both coaches and players. Beware of paying a lot of money to coaches or facilities
who still subscribe to any or all of these incorrect techniques. The most important objectives of the fastpitch or baseball
hitter are:
- Achieving maximum
force at the point of contact
- Using
live and independent hands
- Increasing
the speed of the bat throughout the swing
- Hitting
through a long zone - staying on the plane of the pitch as long as possible
- BALANCE, BALANCE BALANCE
Everything about the swing must be tailored to achieve these objectives. The only way to achieve success as a hitter
is to practice sound fundamentals. The fundamentals we teach have been taught to us by some of the greatest coaches
and players in the world, either personally or through our own research and experience.
THE "FALL BACK SWING" AND 5
REASONS IT DOESN'T WORK FOR FASTPITCH SOFTBALL
There's
a new fad in fastpitch softball for 2009, I like to call it the "fall back swing". The batter opens their
hips and shoulders prior to contact, falling back as she swings, squishing the bug, twisting the back, collapsing the back
leg, etc.
The angle (plane) of your swing should match the plane of the incoming pitch as closely
as possible in order to maximize your hit. In baseball, the average height of the ball upon release by the pitcher is
approximately 60" to 76" (dependent upon pitcher's height), delivering to a strike zone approximately 24"
to 36" in height. That is a 36" to 50" down plane (3 to 4 FEET!), which explains why this swing
works so well in baseball.
In softball, the average arc for a 40 to 60 mile an hour pitch is only 8"
to 21" (INCHES!)! Remember: your swing should match the plane of the incoming pitch as closely as possible in order
to maximize your hit!

One of the most important body parts for a proper fastpitch swing is the front shoulder. If the front
shoulder pulls away from the ball too soon, the following problems are likely to occur:
- The head will come out of the proper position and eye contact
with the ball will be reduced or lost.
- The
back shoulder will drop down, which creates an unlevel position for the shoulders in their approach to the ball and the barrel
of the bat will fall below the hands. IF contact is made it results in pop flys and easy ground outs.
- The hands will drop, creating a loop in the swing (loop
= pop up).
- The back leg will collapse
and eliminate any positive hip action in the swing and take away the majority of the batter's power.
- As a fastpitch softball player, this swing will greatly
reduce your power and batting average.

JUST BRING
IT!!

THE
MENTAL ASPECTS OF HITTING
This section was
written by Rick Siekman who is a fellow softball maniac with a degree in psychology and a special interest
in sports psychology. Siek has spent literally years searching for the competitive edge and would like to share sports psychology
perspectives with all of us. So read it, apply what you like, keep what works, toss what doesn't, and pass what you learn
along to a friend. I've taken the liberty of editting this for the purpose of this website.
INTRODUCTION - Stepping into THE ZONE
Yogi Berra was right...you can't think and
hit at the same time. Which is not to say that thinking has no part in the art of hitting, whether it be hitting a baseball
- Yogi's specialty - or hitting a softball, which is our particular area of concern.
But even though this Yogiism
is considered an axiom among big league baseball players, surprisingly little attention is paid by amateurs to the psychological
aspects of the game. Former Atlanta Brave Dale Murphy, in describing the contents of an excellent book entitled The Mental
Game of Baseball, said, "The subject of this book is something that's always talked about among players - more
so than physical mechanics." Yet when it comes to softball, the mental side of the sport is all but ignored. We spen
hundreds - if not thousands - of dollars each year hoping the latest advancement in aluminum alloys or bat construction
(witness the DeMarini double-wall, the TPS triple-wall, the Power Forged Rawlings...) will somehow turn us into more powerful
hitters. We spend countless hours discussing which weight training techniques will enhance our bat speed, yet we forget the
most important tool there is in hitting: the human mind. Concentration, confidence, focus, and relaxation...these are mental
applications to what has previously been considered a purely physical endeavor - clobbering a softball. And while it's
true that you can't beat size when it comes to hitting the ball deep, it is equally true that it's the mental edge
that distinguishes great hitting among players at every level of play.
So what we hope to accomplish on this
page is to bring a new understanding to this part of our game. While we accept the importance of physical training, of the
need to spend those long, grueling hours inthe gym, of using the best equipment money can buy, we likewise believe that mental
preparation is important, too.
Danny Williams, recently of the Steele's Hitmen, once described his pre-at-bat ritual:
"I like to work myself into a psychotic frenzy." Why? Because he believes it makes him a better hitter!
And in softball, as in every aspect of life, your belief in yourself is ultimately what will determine what you are...and
what you might become.
What we are striving for is to make the mind-body connection - the absolute key to functioning
in the optimum performance zone - as easy and as accessible as possible. Practice these techniques and refine them as you
would a new hitting stroke, and you will find your peak hitting experiences the rule rather than the exception.
PREPARATION - Or, Bringing It With You to the Game
Anyone who has followed softball guru Ray
DeMarini is familiar with his mantra, "You gotta practice." Not just hitting, but every aspect of hitting. Practice
going to right, practice hitting up the middle, practice pulling the ball. Practice hitting line drives, practice hitting
period. What is frequently left unsaid, however, is the mental preparation necessary for hitting. What frame of mind are you
in when you step into the box? What kind of day did you have? How do you feel about being here tonight, or for the entire
weekend? These are all distractions from your purpose of the moment, which is hitting. And as a good friend - and fine ballplayer
- once said, "If you don't bring it with you when you come, you aren't gonna find it when you get there."
Physically, mentally, or spiritually. If you aren't prepared beforehand, you aren't suddenly going to find yourself
ready to participate once the game begins.
The key to playing in the zone is to play in the moment, to ignore the distractions,
to focus so intently on what you are doing, that nothing else in the world exists. Baseball players often describe
hitting streaks as times when the ball looks as big as a watermelon as it wafts slowly to the plate. Time slows perceptibly,
the ball appears larger than normal. And the reason is simple. Their focus is so fine, so pinpoint, that the object of their
attention seems literally to grow. They immerse themselves in the object - the baseball - so much that they cease to hear
the clamoring crowd, to onsider defensive alignment, to be aware, even, of exactly what the pitcher is trying to do. Because
it doesn't matter. All that matters is seeing the ball.
Similarly in softball, we all have these moments, standing
on deck, or out in the field waiting for our next at-bat, when we know without question that when we step into the box something
good will come of it. We'll get the big base hit - or, physical attributes allowing, the home run - and there is nothing
the pitcher or the defense can do about it. And frankly, it doesn't necessarily require that we get the perfect pitch.
Whatever junk she throws at us, we'll hit. In fact, we are going to crush the ball. Because we are absolutely
focused on what we are doing.
And that focus can be practiced. When swinging in batting cages, assess the quality of
what you are doing. Are you simply throwing tokens into the machine and working up a sweat? Or do you have a purpose in mind?
No, you CAN'T think and hit at the same time. And thinking about hitting is not the same as focusing
on hitting. Neither is concentrating on concentrating. You have to focus on the ball, or better yet, at
a point on the ball. All consideration of swing mechanics, of weather conditions, of physical discomfort must be left outside
the cage, or outside the batter's box.
One practice technique that is particularly effective is to waste a round
when it's your turn to take some cuts. Slip the token into the slot, take your stance, and watch the pitches go by. Do
not swing the bat. Practice seeing the ball from its point of release to its location in the strike zone. Judge the quality
of your concentration. Did you, in fact, see the ball all the way to the backstop, or did your eyes or your mind wander? If
you can't follow the ball in practice, how do you expect to do it in a game?
Likewise, in game situations, feel
free to take a pitch, even if it's a strike, even if it's perfect. Use that pitch as you would a practice
swing on-deck. Let your eyes see the pitch from the pitcher's release point, from his particular delivery. You've
got three strikes to play with, why not use them wisely? The pitcher still has to throw two more strikes to get you out.
Preparing
yourself to hit requires much more than loosening the muscles; be fully prepared each time you set yourself to hit. As the
old saying goes: See the ball, Hit the ball. It's no more complicated than that.
The next logical question is when
do you work on your softball swing mechanics, if not in the batting cages? The answer is simple: whenever you can...wherever
you are.
In The Mental Game of Baseball (South Bend, IN: Diamond Communications, Inc.), Reggie Jackson
shares a similar approach: When I want to turn it on, I have a routine I go through...I imagine myself putting the "sweet
spot" in the hitting area just as the ball is getting there. I see a line drive going to center field...When I visualize,
I feel my approach and the contact...I "see it" the way I am going to see it.
What they are describing, of
course, is mental rehearsal, or visualization, which applies not only to the moments immediately preceding game performance,
but anytime you have a quiet moment. It is a powerful practice technique, particularly useful in those long winter
months when the season shuts down because the weather is too cold, the fields frozen or wet.
Harvey Dorfman and Karl
Kuehl, authors of The Mental Game of Baseball, have this to say: Visualization programs the nervous system, muscles,
and fibers of the body. The clearer the image - the more detail - the greater the effect on the body. Imagination can trigger
nerve and muscle response.
In essence, the mind cannot distinguish between practice that is "real" - i.e.,
physical - and practice that is not. The same muscle memory is created whether you take your cuts in the batting cages, or
whether you take them in your mind.
As Dorfman and Kuehl point out, when visualizing your performance, it is important
that the mental picture be as vivid and detailed as possible. Feel the dirt from the batter's box under your cleats, the
breeze tossling your hair as it blows out to left; test the weight of the bat in your hands; smell the burgers grilling
in the concession stand behind the backstop. Whatever sensation that you associate with where you play ball, incorporate
it into your fantasy. Then "see" yourself performing to the utmost of your ability. Work on the mechanics that you
know are your weaknesses. If you have trouble keeping your head down, in practice see the ball flatten as it impacts with
the bat. If you tend to uppercut, visualize a perfect, straight-line path for your swing plane. And if your mental image goes
awry, keep seeing it until you are perfect, until your image of your swing is dead-on with what you know to be right. Blister
line drives all around the park, split the gaps between the outfielders, drive the ball through the box like you do on your
best days in BP...rip it!
Then, and only then, will you be "programmed" to perform at your best.
Did
you ever wonder why you can hit the ball so consistently well in practice, hitting missile after missile into the distance,
but when you take those first few steps over to the batter's box in a game, you suddenly nervous and can't hit?
The
answer lies not in the plane of your swing, nor in the alignment of your grip or stance, but rather the answer is tension.
A lack of tension in practice, then a subtle, increasing tension at the beginning of and throughout the game. Tension tightens
the shoulder and neck muscles, causes motion to become less fluid and subsequently less accurate. It causes vision to blur,
focus to become less keen, concentration to wane. And though these effects go unnoticed, they are nevertheless both very real,
and very detrimental to performance.
And it is tension - or rather our response to tension, for in truth tension
is unavoidable - that makes all the difference. For some - indeed, clearly the majority - disciplined practice produces disciplined
at-bats. In fact, it is essential that every ballplayer refines his physical stroke through some sort of practice.
For others, however, untold hours on the practice field might yield nothing but the most inconsistent of results. Some thrive
on game situations; some let the subtle influences of tensions throw them completely off their games. Learning to deal with
tension - or rather, to minimize the effects of tension - is crucial.
Likewise, it is important to realize that no matter
how often you take your cuts, no matter how easy it feels in the cages, no matter how fuzzy you feel when you launch your
missiles in practice, it is not going to stay that way forever. Everyone who's played this game has had that
feeling that suddenly he's found the secret to the universe, the feeling of "if I could bottle this stuff...".
It is unlikely that we'll ever achieve a consensus on the one key mental approach to hitting.
But this
realization will not stop us from believing. And as long as we believe, for that one particular at-bat, for that
one particular game, for that one brief, shining moment, we'll be able to relax and perform at our peak.
THE KEY TO CONSISTENCY
There are a number of effective techniques
that we can employ that will go a long way toward solving this particular problem. But again, it is important to remember
that nervous tension is normal. Moreover, this tension is both healthy and desirable. That realization in and of itself should
be a big boost to your confidence. You’re not a coward because your hands sweat and your stomach churns right
at crunch time. This is in fact part of the psycho-physiological "fight or flight" mechanism that we’ve all
inherited from our ancestors.
But what to do when these symptoms get out of hand?
First, slow yourself down. The
immediate tendency in a fight or flight situation is to hurry up and get it over with. That is the flight side of
the equation, but what we’re interested in is fight. Take a few slow, deep breaths from your diaphragm, and
feel the oxygen-enriched blood flowing through your system, washing the unwanted tension away.
Next, begin to move slowly
and easily, as if you were totally relaxed. Tense muscles tend to move in a herky-jerky fashion. Deliberately force
yourself to move in a more casual, relaxed manner. A few light stretches, slowly executed, concentrating on your larger muscle
groups, might be helpful. A clear, focused mind will follow from a calm body. (The reverse is also true, which is another
angle you might want to work with.) Assuming you’re on deck, swing your bat at about quarter speed. Again, the idea
is to slow down. One or two full practice swings are okay, but we want our bodies thinking, "easy does it."
Notice
at this point that our concentration is somewhere other than on the situation at hand. The number of possible scenarios that
you will encounter in softball is small and manageable enough that how to deal with them should have become or will become
second nature. Since the amount of time the mind is capable of focusing is limited to mere seconds, too much attention to
the task at hand will rob you of this ability when you need it most. Also, by diverting your attention elsewhere, you are
in essence making effective use of the flight mode, and forcing yourself to work with, rather than against, the forces
of nature. Effective use of the flight response will give you all the fight you need.
Along
these lines, many ballplayers find it helpful to fine tune their focus on some nearby object as they are settling into the
batter’s box. A blade of grass, a candy wrapper, the bill of your helmet. Find a "trigger" that you can associate
with the relaxation response every time up. Make it a ritual. Teach yourself to "let go" whenever you tap the bat
on the plate. Squeeze your hands tightly on the bat, then feel them totally relax. Ray DeMarini says that relaxed hands will
increase your bat speed five to ten miles an hour. By incorporating this technique into your pre-at-bat ritual you’ll
get the additional benefit of a clear mind as well. And that is the ultimate goal: a quiet mind and a calm body that’s
as ready to perform as it’s been trained.
Remember, finally, to be consistent. However you prepare yourself to
hit, whatever ritual you adopt, get in the habit of doing it every time up. This will help keep you in your comfort zone,
in a safe, familiar environment, where you’ll find minimal distraction...and maximum performance!